The Page is Flat

Page 1 with flat color–it cleans up nice and pretty.

This is an important stage for us as we get to establish scene and mood. For the interior shot, we were thinking 60's and 70's color theory... you remember, avocado or mint green walls (though we also played with goldenrod and rose) contrasting against a lot of maple. Contrasting the warmth of the shot, we see Maddie walk to her car (a 1964 Volvo 122s) and the skies are cool grey outside her flat (a typical row house in the city).

At this point, with everything set, it's time to add our shadows and effects.

Onward!