Once the shapes in the sketch have been determined, it's time to create holding lines. For this cover, our concept was to hearken back to the fairy tale styles of Kay Neilsen and Edmund Dulac with a bit of art nouveau line found in the works of Aubrey Beardsley and Will Bradley. No pressure, eh? We went to a vector program to control the line precision.
After our lines were created, we colored the lines and added flat shapes of color. There's something jarring about black line in "classic" illustration work. Using brown line is a great way to soften the overall piece. As we create the layers of background needed to complete this piece, we'll move to lighter and lighter shades linework, finally using gold for the castle.
Using into a flat perspective, the next layer to solve is the city before the castle. Thinking deco, we used repeating patterns and colors instead of traditional perspective. The buildings in the back are smaller than the building in the front.
Now it's time to design the final elements. The castle, clouds and cherry blossoms. Next up, Photoshop!
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